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"Rory" - Foxing

"Just you wait for the Foxing record," my friend said. "You’re going to love it."

Multiple times my friend told me this, though it was usually either with no caps or all caps. She told me this multiple times mostly because she has a terrible memory, but also because she truly believed the Foxing record would be the next big emo record, one worthy of being loved the way Whenever, If Ever has been loved. 

A show at some Flint bar this summer - I think it was Flint - was the first time I got an inkling beyond her word that this could very well be the record she hyped it to be. The set wasn’t the most rapturous concert I’d ever attended, but the potential was there for something on that level. A different venue, a few more fans who knew all the words, and it could reach that level of rapture,

Months later, that album - The Albatross - was streamed on AbsolutePunk and released by Count Your Lucky Stars. It turned out that the record was, as my friend insisted, pretty fucking great. If you’re into twinkly guitars, subtle builds, sudden shouting, and a high percentage of spine-tingling, paradigm-shifting, out-of-body moments, it’s likely you already knew this to be true. 

What I find most interesting is the desaturated palette. Colorless isn’t the right word, but there’s a certain faded grayscale to everything - the music, the album cover, the video for first single “Rory.” Everything feels a little washed out and worn, but in the best way. It’s fascinating, and especially effective given the album’s subtlety. There’s nothing quite like it.

Speaking of that for “Rory,” which premiered on Washed Up Emo, it’s quite arresting. The visuals, a bit wan, as mentioned, make quite the impression. Both throughlines - the performers separated into their two differently lit rooms and the young, fox-masked boy being chased and captured by similarly pint-sized pursuers - feature images of unsettling, autumnal beauty. It also isn’t too showy, but sticks with viewers regardless. It feels like an extension of the album in every way, and it succeeds as a result.

- Tyler Hanan

"Full of Fire" - The Knife

Some may have cooled on The Knife’s adventurous but exhaustingly lengthy Shaking the Habitual, but the excellence of this song and the way it captivated listeners and press when it dropped shouldn’t be forgotten. 

A microcosm of the album - daring, evocative, and so damn long - “Full of Fire is a bizarre and disconcerting piece of music, the like of which doesn’t often reach the level of awareness a brand new Knife track would.

The collage of noises present here is unlike any other. It has the dank pulse of a club and the weird blips of a fever dream, and this is all before discussing The Knife’s strong stance on the fluidity of gender. It is, without a doubt, one of the most fascinating songs of the year, and with one of the best final 15 seconds. 

Let’s talk about gender, baby. 

- Tyler Hanan // NSB Songs of 2013

"Feels Real" - R.L. Kelly 

I begin our end of the year coverage with what might be favorite song of 2013. “Feels Real” is the second track on Angeltown, a compilation of unreleased songs put out by Orchid Tapes.

In these last few months, a difficult few months, the Angeltown tape has been plugged into the tape player of my beat-to-hell ‘92 Buick Centruy more often than not. This song is the primary reason for that. “Feels Real” has the same melodious lo-fi aesthetic and heartworm (that’s a thing, right?) quality of older indie recordings that I love. There’s something in the guitar, in its friendly pluckiness.

The main difference, of course, is this song is on the other end of the happiness spectrum. It’s simple melody and lyrics, relatable on a most basic human level, are absolutely captivating. Also, unlike many other songs in this underground pop community, it’s a little longer. The extra minute or two functions spectacularly in digging the song’s hook in even deeper.

The best songs are often the simplest ones. "Feels Real" never fails to make the listener feel better. Everything’s going to be okay. Everything feels real. 

- Tyler Hanan // NSB Songs of 2013

"Pale Shelter" - Matthew Dear ft. Tegan and Sara (Tears for Fears cover)

When I think of Tears for Fears, I think of Pete Holmes’ “Pierce" bit. There’s no good reason for that, it’s merely a part of my being on this planet. 

Lately, though, artists have been forcing me to consider Tears for Fears as a band again. This is probably a good thing for my standing in any music community, but it’s also a little sad.

You see, Tears for Fears covers seem to keep popping up. Today, co-founder Matthew Dear and newly superfamous sister duo Tegan and Sara. Chris Deville also makes mention of a Tears for Fears cover by Animal Collective, and I’ve seen a few others recently by somewhat notable names. 

Anyways, the idea of Tegan and Sara covering 80’s pop songs is an instantly attractive one. It certainly worked out here. There should be albums full of these things, with the two collaborating with different producers and beat makers. Can they cover some Madonna? Is some Prince too much to ask? 

This idea is flawless. I’m off to brainstorm my favorite pairings; in the meantime, check out Dear and the duos’ quotes regarding the collab on Stereogum

- Tyler Hanan

"Satellites" - EMA

Erika M. Anderson, she of 2011’s surprise tastemaker favorite Past Life Martyred Saints and its fantastic album cover, released “Satellites” in the middle of last week.

Unveiled right in the middle of all this end of the year coverage, the imposing gothic tour de force is a giant flag planted in Mount 2014, a banner foretelling the coming of The Future’s Void in spring. 

This song is sonically vicious and unrelenting, full of ominous, overarching choruses, screeching feedback, and desensitizing percussion, among other wonderful, less-than-cheery elements. Would that the entirety of The Future’s Void holds to these unsettling, sub-dimensional standards.

- Tyler Hanan

Rival Dealer - Burial

The new Burial EP, Rival Dealer, is streaming. It’s gone up after just about every website has posted its end of the year music lists, thus invalidating all of them. 

Rival Dealer immediately drops you into a dank, throbbing, fast lane wormhole with the title track. Dive in. Let it take you wherever it leads.

The three-track, 28-minute EP is out December 16 on Hyperdub. Merry Christmas.

- Tyler Hanan

"Spiral" - Todd Terje

The delightful Scandinavian producer Todd Terje continues to excel at producing blissful, pulsating disco that shines as brilliantly as this never-ending Michigan snowfall. This track is of relatively similar length, sashaying along for ten-and-a-half minutes. My toes aren’t even that cold anymore. They may also be numb. 

The other half of this Olsen Records release is “Q,” a track that doesn’t seem quite as grin-inducing but is nevertheless worthy of spending 12 minutes on, probably. Enjoy while I step away to find my slippers, and contemplate the unknown wonder that may inhabit Terje’s upcoming March 2014 full-length. 

- Tyler Hanan

"Advanced Falconry" - Mutual Benefit

Shortly before noon this morning, the New York Times’ T Magazine premiered BANGS’ video for Mutual Benefit’s “Advanced Falconry,” the big single off new (and, I suppose, breakout) album Love’s Crushing Diamond.

It is magnificent

The slow-motion video is also in constant motion, with every cut taking us to an uncomfortable father grimacing, a carefree grandmother flipping her hair, or a child brushing off her face. Faces in constant motion, hands never at ease, the video is the most tranquil success in suspense one is apt to see. 

The family photo shoot’s sudden evolution-by-devolution into something much more honest is a subtly profound and heartwarming event. A child eating dirt has never been more beautiful. BANGS’ video syncs up with the song in every way, both in the technical and conceptual motifs. 

For more gushing, read our glowing review of Love’s Crushing DiamondOtherwise, preorder the album from Other Music in a variety of formats. 

- Tyler Hanan

"Freely" - Linda Perhacs

Good god, the things you can miss when in a finance-induced coma. On March 4, Asthmatic Kitty will be releasing Linda Perhacs’ The Soul of All Natural Things, Perhac’s first album since Parallelograms in 1970.

1970! That’s a 44 year gap between albums. That’s longer than I’m likely to be alive. 

Julia Holter and Nite Jewel contributed to the ten-track, Inside Björk and Milton Nascimento record, a bit of news a certain writer for this website finds exceedingly delightful. This news was all first posted over on Pitchfork, where Jenn Pelly also reported that those two "helped revive Perhacs’ musical activity." 

I don’t want to simply cop all the information - this is why we cite things - but I’d like to at least include this quote from Perhacs.

We get too far out of balance and we must find a way to get back to our polestar. I felt that people needed to be reminded of that. My music isn’t just recreational, it’s not just entertainment. I have a deeper purpose. My soul is giving itself to the people; I want them to be helped, I want them to be lifted.

Tracklist:

  1. 
The Soul of All Natural Things
  2. Children

  3. River of God 

  4. Daybreak  
  5. Intensity  
  6. Freely
  
  7. Prisms of Glass
  
  8. Immunity
  
  9. When Things Are True Again

  10. Song of the Planets

- Tyler Hanan

"Swan Dive" - Waxahatchee

It’s that time of year. No, not turkeys and consumerism, but when several of my email addresses get “end-of-year list reminders” in one last ditch effort by record labels to grab press for their releases. But I’m not telling any of you to consider Waxahatchee, Katie Crutchfield’s brilliant solo project, for any list. Sure, lists are dandy, but I only recently dove into this year’s Cerulean Salt and was so swept away I was shocked NSB had passed over the opportunity to gush. Shame, Tyler. Shame. 

"Swan Dive" isn’t my favorite cut off Cerulean Salt, but it’s a hymn for those of us in our childhood homes this weekend, mourning the past and forgetting to be thankful for the present: “I’m ruled by seasons and sadness that’s inexplicable / and we will find a way to be lonely any chance we get.” Just a sad reminder to kiss your families and make sad mixtapes for those you care about, folks. 

- Kyle Minton

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